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Patch [ 1678075 ]: fix FontInstance.cpp compile issue Patch [ 1673502 ]: fix broken Envelope (Summers Night) effect Patch [ 1680182 ]: fix pattern inversion on bool op (bug 1659445) Patch [ 1681754 ]: fix crash when editing text with multiple tspans Patch [ 1682425 ]: fix bug 1679477 (crash exporting gradients to ODG) Khmer translation now installs correctly Updated Slovak translation Updated Bulgarian translation Updated Catalan translation Updated Czech translation Security: fixed format string overflows in dialogs (CVE-2007-1463) and whiteboar d Jabber protocol (CVE-2007-1464). Inkscape 0.45: overview This release brings the exciting new features developed by the Google Summer of Code 2006 participants, as well as tons of other improvements across the board. Here are the highlights: Gaussian blur is the first SVG filter supported by Inkscape.

You can blur any ob ject to any extent - yet it remains vector and fully editable. This gives a huge boost to Inkscape as a creative art tool. Display speed and interactivity: not only does Inkscape render faster, but it ca n now respond to user input before it finished redrawing the screen, which great ly improves the responsiveness (perceived speed or interactivity) of the program.

History dialog makes it easy to to review your editing session and jump to any s tep of it, undoing and redoing multiple actions with one click. Several important tool features are added, notably the new selection mode in Nod e tool and the adjustable rounded caps in Calligraphic pen. Bitmap tracing works better for multi-color traces, sports a redesigned dialog a nd several new options. Many new extension effects are added, including Color effects and Pattern along path. The Outline mode has got many fixes and improvements, including a keyboard short cut.

Several new commands in Help menu open various Inkscape-related pages in your de fault browser, making Inkscape reference information more accessible as you work. Dozens of smaller features are added throughout the program, and hundreds of bug s are fixed. SVG filters: Gaussian blur Thanks to Google's Summer of Code program, Inkscape now has basic support for SV G filters. The only filter enabled so far is Gaussian blur. With it, you can softly and naturally blur any Inkscape objects: paths, shapes, groups, text, images. Ishow Laser Software Download Windows 7.

Clones inherit blurring from their original, but they can also be blurred independently from the original (you can create blurred clones w ith Tile Clones, too). Both the fill and stroke of an object are blurred togethe r, creating semitransparent margins that smoothly blend into the background.

Gaussian blur enables a wide range of photorealistic effects: arbitrarily shaped shades and lights, depth of field, drop shadows, glows, etc. Also, blurred obje cts can be used as masks for other objects to achieve the 'feathered mask' effec t. To blur selected objects, open the Fill and Stroke dialog (Ctrl+Shift+F) and use the Blur slider.

The blur value is a percentage, with 100% corresponding to a b lurring radius (standard deviation of Gaussian function) of 1/8 of the object's bounding box' perimeter (that is, for a square, a blur of 100% will have the rad. Ius equal to half a side, which turns any shape into an amorphous cloud). The Tile Clones dialog also supports blurring. On the Blur & opacity tab, you ca n set the blur percentage per row or per column of your tiling, as well as rando mize blurring and make it alternate (all the same options as for Opacity). The quality of on-screen blur display is controlled by the Blur quality option o n the new Filters tab of Inkscape Preferences (Ctrl+Shift+P).

The available opti ons range from best quality/slowest display to worst quality/fastest display, th e default being in the middle of the range. Any setting except the 'best quality ' may introduce some rendering artifacts, especially when blurring thin strokes; on the other hand, the 'best quality' setting may make Inkscape extremely slow at high zooms. These settings only affect the screen display of blurred objects; bitmap export always uses the best quality (and may therefore become quite slow for images with a lot of blur). Here are a few tips on using blur: Masks and clipping are applied after blur. That is, if you clip an object and th en blur it (or blur it first and then clip - it makes no difference), the clippe d edges will remain crisp. Drivers Magellan Promark 3. Often, this is what you want.

If, however, you want t o blur the clipped/masked edges too (possibly with a different radius), you can use grouping: group the clipped object with some other object (which you can the n delete from the group) and blur the group. A simple drop shadow is now very easy to do: just copy the object, paint the cop y black, blur it, shift away a bit and lower it to the bottom.

However, such a s hadow does not update when you edit the foreground object. If your object is alr eady black (or, more generally, if you want the shadow to be the same color as t he object), you can clone instead of copy to make the shadow auto-updating. But what if your foreground object is not black but you need an auto-updating black shadow? Here's a recipe: unset the object's fill (it becomes black); create two clones of it; put one clone on top and paint any color you want; put the other c lone at bottom, blur it and shift sideways. Now you can edit the unset-fill orig inal (use Alt+click to select it) and everything will update. If an object has a fill that you don't want to blur (e.g. Pattern, or if it's a bitmap), but you just want to feather the edges, use a blurred transparency mask.

For this, copy the object; paint it white; blur it as needed; scale the blurre d copy down so its blur margins are entirely within the original object; select both the original and the blurred mask; do Object >Mask >Set. Transforming a blurred object transforms its blur, too. This applies to a non-un iform scaling as well, so by squeezing a blurred object you make its blur squeez ed as well. So, the easiest way to blur a path horizontally more than vertically is this: stretch it upwards without blur, then apply blur and squeeze it back i nto the original shape. (This only works if the stretched path does not already have a Transform attribute.) You can combine blurring with gradients.

For example, an ellipse with elliptic o pacity gradient will look much softer and more natural when blurred. An object w ith a horizontal linear opacity gradient, when blurred, will look as if it's mor e blurred on its transparent side than on its opaque side. A clone of a blurred object inherits the blur of the original. Therefore, such a clone can be blurred more, but you can't 'unblur' it to make the clone sharper than its original (unless, of course, you unlink it). The Fill and Stroke dialog shows you the amount of the blur applied to this particular object; however, if the object is a clone of an already blurred original, the dialog does not refle ct that. Note that Firefox 2.0 does not support SVG filters, so your files will be displa yed in Firefox 2.0 without blur. However, filter support has been added in the c urrent development version and will be included in Firefox 3.0.

The Opera web br owser, as well as librsvg (used by Wikipedia) and Batik, support filters correct ly in their current versions. Undo history Inkscape now features a History Dialog accessible via Ctrl+Shift+H or Edit >Und.